L.A. harpist, composer, and Royal Academy of Music graduate Lara Somogyi is understood for combining the mundane and the fantastical. She’s a go-to harpist for movies and TV reveals, and has performed on scores for every little thing from Spike Lee’s Da 5 Bloods to Bridgerton to The Simpsons. She’s an innovator who has included ready harp sounds performed with Blu-Tack and alligator clips; she’s additionally used a milk frother in her taking part in, and often contains looper, guitar pedals, and electronics into her repertoire. After working as a session musician for big stars like Anderson. Paak, Ariana Grande, Lauryn Hill, and John Legend, she’s set to launch her debut album, !, subsequent month.
Scottish harpist Maeve Gilchrist has collaborated with the likes of jazz explorer Esperanza Spalding and avant-garde cellist Okkyung Lee, contributed to the soundtrack for Methods to Practice Your Dragon: The Hidden World, and turned in a trio of talked-about solo albums. 2020’s The Harpweaver marked her first report as a composer, producer and arranger. The next yr, she rose to worldwide pop fame for her work on Arooj Aftab’s critically acclaimed 2021 album Vulture Prince, complementing the Pakistan-born, Brooklyn-based artist’s undulating voice with glistening strings.
Born in Edinburgh, Gilchrist was fed a weight loss program of the standard folks cherished by her Scottish father and Irish mom, and shortly discovered an affinity with the clàrsach, or Celtic harp, which is barely smaller in stature than the basic harp and operated utilizing levers on the prime relatively than pedals. After shifting to America at 17 to review at Berklee Faculty of Music, she finally turned employed as the school’s first-ever lever harp instructor and taught there for 5 years. Typically lending her apply to improvisation, in addition to bringing trendy music genres into the combination, she has given the standard instrument a contemporary twist.
John Luther Adams
Originating in historic Greece, the aeolian harp is performed purely by the wind, inserting it completely on the whim of the weather. The result’s each eerie and ghostly, like a wordless transmission from Mom Nature herself. For his latest album Homes of the Wind, environmentalist and composer John Luther Adams thrust the aeolian harp into the highlight, crafting his soul-stirring, bare-bones launch from a 10-and-a-half-minute area recording taken in Alaska in 1989.
As he explains in a press release accompanying the album, Homes of the Wind (2021–22) is “composed completely from that single recording, transposed, layered on itself, and sculpted into 5 new items of the identical size,” making for a sobering, weighty voyage. “The world has modified since then, in methods we couldn’t have imagined,” he says of the time that has handed. “The winds rising round us now appear darker, extra turbulent and threatening. But nonetheless, if this music is haunted by emotions of loss and longing, I hope it additionally presents some measure of comfort, even peace.”